Possible cinemas

Gala Hernández López is an artist, filmmaker, producer and researcher. Ultimately, if she had to choose, she would say filmmaker above all else. Her work questions the new forms of subjectivation induced by computational capitalism, through the imaginaries, narratives and futures of virtual communities.

The director of Pauline s’arrache (2015) and Maman déchire (2025) came to cinema by chance, almost by accident.

A leading figure in French genre cinema, he became a filmmaker above all else because of his fascination with stories, his desire to tell tales of destinies on the brink of disaster, where the intimate rubs shoulders with the fantastical.

One could say that she became a filmmaker by making things. By doing, by resourcefulness, by desire stronger than doubt.

Part of a new generation of French cinema, she recounts intimate stories with humour and insight, driven by a taste for the offbeat and an eye for observing small human flaws

At just 33 years old, he is a young filmmaker with a voracious appetite for work, tackling projects at a dizzying pace, driven by a need to experiment, to explore different formats and narratives, and fuelled by an urgent desire to create.

Marie Rosselet-Ruiz did not grow up with cinema, but with stories. The ones we read, the ones we watch on television, the ones we invent in notebooks we dare not show. An actress before becoming a director, she struggled with the roles she was offered — too far removed from who she was, too far from what she had to say. So she began writing her own stories, sometimes with her twin sister Hélène. Her films explore family ties, of community, identity and how we inhabit our place in the world. A work in progress, driven by a constant quest for precision and humanity.

Naomi Pacifique is a multidisciplinary artist who has developed a career at the crossroads of cinema and visual arts. In her creations, she explores questions of intimacy.

Zacharias Mavroeidis is a Greek director and screenwriter whose latest film, The Summer with Carmen, captivates audiences with its delicate eroticism and striking evocation of the humid Athenian summer.